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Nikon Coolpix AW110 16MP Waterproof Digital Camera w/ Built-in GPS & WiFi

Posted in : News, Nikon

(added 21 days ago)

Nikon Coolpix AW110 16MP Waterproof Digital Camera w/ Built-in GPS & WiFi

Adorama offers the Nikon Coolpix AW110 16MP Waterproof Digital Camera for $314.95 (in-cart price) with free shipping.

What makes this deal hot:
You save $32 off the retail list price. That's the lowest price we could find currently.

What this does & Why you need it:
This camera features 16 Megapixel, waterproof, Built-in WiFi, GPS, iOS & Android App, 3.0-inch OLED Monitor, 5x Optical Zoom, Full HD 1920 x 1080p movie mode, USB & A/V out, Rechargeable Li-ion Battery, and more.

Source: logicbuy

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(added 21 days ago) / 28 views

Fujifilm FinePix JZ700 Digital Camera

Posted in : FujiFilm, Reviews

(added 23 days ago)

It was not too long ago when we saw new digital camera releases from Japanese manufacturer Fujifilm, and this time around, we come face to face with the Fujifilm FinePix JZ700 digital camera which will be the latest addition to their JZ long zoom compact camera range. The FinePix JZ700 has been touted to be the ideal all-round-stylish camera, targeting those who look forward to fast response times.

Fujifilm FinePix JZ700 Digital Camera

For starters, the Fujifilm FinePix JZ700 comes with a 8x Fujinon lens in a stylish body that delivers a focal length of 24mm wide-angle to 192mm telephoto, accompanied by Optical Image Stabilization in order to compensate for camera shake and subject blurring whenever you capture a shot. There will also no longer be a CCD sensor under the hood as with previous JZ models, as that has been replaced by a powerful CMOS sensor. You can also record Full 1080p HD movies at 30fps when the situation calls for it, and the 2.7” 230K-dot LCD display would let you preview images without missing a beat. Seems to be a decent purchase for those who want an entry level digital camera, no?

Fujifilm: Fujifilm Holdings Corporation, widely known as Fujifilm, is a Japanese photography and imaging company based in Tokyo, Japan. Fujifilm's history runs deep. Although the company was just established in 2006 under the name Fujifilm Holdings Corporation, it actually inherited the imaging and information businesses previously operated by Fuji Photo Film. Co. Ltd., which was founded way back in 1934. Fuji Photo first ventured into the photographic film business. The company eventually entered the optical glasses market in the 1940s and established a joint venture with Xerox in 1962 and launched Fuji Xerox Co., Ltd. The company specializes in imaging and information solutions for photography equipment, optical devices, graphic systems, medical systems, recording media, and the like.

Source: ubergizmo

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(added 23 days ago) / 31 views

Nikon rumours: what you need to know

Posted in : News, Nikon

(added 24 days ago)

It wouldn't be a day ending in y if there wasn't at least one Nikon rumour floating about. Here on this continually updated Nikon rumours page, you'll find the latest hot gossip, information and rumoured specs on what camera is likely to be announced. Got any tip-offs you'd like to share? Let us know via our Twitter feed, Facebook page or email. Nikon has been through a very active phase of camera announcements, with almost the whole SLR range being refreshed. First came the Nikon D800 and D4, both of which are likely to have long shelf-lives, in early early 2012. Then came the Nikon D600 in September 2012, followed by the D5200 in November and the D7100 this February.

Nikon rumours: what you need to know

This just leaves the venerable Nikon D300S and D90, which we are told are still current and have not been replaced by any of the newer cameras. At the moment it's the replacement of the D300S that is creating the majority of Nikon rumours.

Nikon D400 rumours
It's getting on for four years since the D300S made its debut, so it seems very likely that an upgrade is imminent. However, this means that there's been at least two years of rampant speculation about its likely spec, so let's examine what's likely.

First off, the D400 would assume a position at the top of the DX (APS-C sized) sensored cameras in Nikon's line-up, which should set it apart from the newer D7100. Nikon classes the D300S as the entry-level model in its professional camera line-up, so we expect the same of the D400. The benefit of a DX camera is that it can be smaller and lighter than a full-frame model, which makes it appealing as a second body for pros carrying a full-frame lump like the D4. In addition, the 1.5x focal length magnification factor allows tighter framing of distant subjects, making it a popular choice with sport and wildlife photographers.

Nikon has had a phase of significantly upping the pixel count of its SLRs, with 24 million being the most common figure. It seems likely that Nikon could stick with this for the D400, but give it a greater burst depth than the D7100 and thus turn it into a better choice for keen sports and wildlife photographers.
Perhaps we will see a return of 7fps as the maximum continuous shooting rate, with a boost to 8fps or more with a batterygrip?

We suspect that the 1.3x crop that was introduced with the D7100 may also feature in the D400, giving photographers an in-camera cropping mode for tighter composition at the shooting stage.
It also seems likely that we will see the Multi-CAM3500DX AF module being used with a total of 51-AF points across the frame.

If the D400 is to be a pro photographers back-up and the darling of wildlife photographers, perhaps it will also be the first Nikon camera to feature Wi-Fi connectivity built-in. As well as allowing wireless transfer of images, this would enable remote control of the camera via a smartphone or tablet app. Wireless remote control allows you to get great images while you are a respectful distance from timid wildlife.

Source: techradar

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(added 24 days ago) / 36 views

Nikon 1 S1 Digital Camera Review

Posted in : Nikon

(added a month ago!)

Nikon 1 S1 is a 10.1 MP digital camera with CX CMOS sensor, ISO 100 - 6400, 1920 x 1080 HD video capture @ 60i / 30p, Nikon ‘Motion Snapshot’ technology adn 3 inches 460k-dot TFT LCD.

Nikon 1 S1 Digital Camera Review

Source: forum.xcitefun

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(added a month ago!) / 42 views

Sony DSC-WX80 16MP 8x Digital Camera for $150

Posted in : Reviews, Sony

(added a month ago!)

BuyDig offers the Sony DSC-WX80 16-Megapixel Digital Camera in Black for $149.99 with free shipping. That's the lowest total price we could find by $28. This point-and-shoot features 1080/60i HD video capture, a 2.7" LCD, Carl Zeiss Vario-Tessar 8x optical zoom lens, image stabilization, SD, micro HDMI, and PS PRO Duo slots, USB, and more.

Sony DSC-WX80 16MP 8x Digital Camera for $150

Capture frame-worthy family memories you'll treasure forever. Birthday parties, sporting events, graduations and more - they all look crisper and clearer thanks to the 16.2MP Exmor R CMOS sensor and high-quality Carl Zeiss Vario Tessar lens. Improved image clarity, high resolution and excellent low-light performance means you'll come away from every special occasion with gorgeous pictures and crystal-clear Full HD videos1. Powerful 8x optical zoom allows you to get close to the action for highly-detailed close-ups. Plus, with built-in Wi-Fi, you can quickly upload photos and videos to social media sites using your smartphone or tablet, back up content to your PC or view it all on a large screen TV.2

8x optical zoom plus 16x Clear Image Digital Zoom
Get up close with 8x optical zoom plus 16x Clear Image digital zoom. Most digital zooms use electronic cropping to get closer to the subject, resulting in unsharp images. With Clear Image Zoom the powerful processor compares patterns found in adjacent pixels and creates new pixels to match selected patterns, resulting in more realistic, higher-quality images. Clear Image Zoom doubles optical zoom for closer photos.

16.2 Megapixel Back-illuminated Exmor R CMOS Image Sensor
This camera features a 16.2 megapixel Exmor R CMOS image sensor that brings out the full resolving power of the camera's Carl Zeiss Vario Tessar lens to deliver extremely fast speed, high resolution, and stunning low-light sensitivity with improved image clarity and drastically reduced grain. In addition, the combined Exmor R CMOS sensor and BIONZ image processor delivers extremely fast up to 10fps, Anti Motion Blur, Hand-held Twilight and 1080i movie modes.

WiFi sharing to upload photos and videos
WiFi lets you quickly upload photos and videos to social media sites through your WiFi smartphone or tablet, back them up on a network-connected PC, or view them on a large screen TV.

Full HD 1080/60i
Record crystal clear movies at the highest resolution available with capabilities for 60i in 1080 AVCHD video.1 This provides stunning, fast motion video with less distortion for playback on your HD TV.2 With dual record of stills and movies, you can shoot both at the same time.

Optical SteadyShot image Stabilization with 2-way Active Mode
Sony's Active Mode image stabilization gives you the freedom to shoot movies even while walking or running3. 2-way Active Mode corrects for both vertical and horizontal motion.

Capture the decisive moment with up to 10fps
Capture full 16.2 megapixel resolution images at up to 10 frames per second, helping to ensure that the decisive moment is captured such as the soccer ball flying into the goal. In addition, a mechanical shutter helps reduce distortion when continuously shooting moving subjects.

Picture Effect for more expressive photos
Picture Effect adds a new level of expression to photos, making ordinary landscapes and portraits come to life by heightening mood and emphasizing certain attributes.

Beauty Effects
Beauty Effects allows edits to skin tones, skin smoothing, shine removal, eye widening, and teeth whitening. Beauty Effects can be combined to further enhance the image.

Intelligent Sweep Panorama mode-up to 360 Degrees
Intelligent Sweep Panorama mode takes our Sweep Panorama function to the next level with the addition of motion compensation. Even when subjects are moving in the foreground of your landscape, these cameras can detect faces and moving subjects, intelligently stitching different widths together to minimize distortion. Simply press the shutter button and sweep the camera in the desired direction and the camera continuously shoots at a high speed, then seamlessly stitches the images together with automatic position adjustment to create one stunning panoramic image. Available in wide and up to 360-degrees full circle, the camera can take a variety of panoramic shots.

Specifications:

Camera


Camera Type : Compact zoom digital camera
Imaging Sensor

Imaging Sensor : 1/2.3" Exmor R CMOS sensor
Processor : BIONZ
Pixel Gross : 16.8 MP
Effective Picture Resolution : 16.2 MP
Color Filter System : RGB primary color filters
Optics/Lens

Lens Type : Carl Zeiss Vario-Tessar
Aperture : iAuto(F3.3/F8.0(W), 2 steps with ND Filter) / Program Auto(F3.3/F8.0(W), 2 steps with ND Filter)
Optical Zoom : 8x
Digital Zoom : 32
Focal Length (35mm equivalent) : Still 16:9 28-224mm/ Still Image 4:3 25-200mm/ Movie 16:9 28-224mm (SteadyShot Standard), 28-314mm(SteadyShot Active)/ Movie 4:3 34-272mm(SteadyShot Standard), 34-381mm(SteadyShot Active)
Lens Construction : 8 elements in 7 groups (including 5 aspheric elements)
Minimum Focus Distance : iAuto:AF(W:Approx.5cm(0.16') to Infinity, T:Approx.150cm(4.92') to Infinity) / Program Auto:AF(W:Approx.5cm(0.16') to Infinity, T:Approx.150cm(4.92') to Infinity)
Steady Shot Mode:Active : Yes
LCD Display

LCD Type : 2.7'' ClearPhoto LCD (230K dots)
Brightness Control : 5(Bright) / 4 / 3 / 2 / 1(Dark)
Histogram : Yes (On/Off)
Grid Display : Yes (On/Off)
Recording

Media Type : optional Memory Stick Duo (No movie recording), optional Memory Stick PRO Duo (Mark 2 only for movie recording), optional Memory Stick PRO-HG Duo, optional SD Memory Card (Class 4 or higher), optional SDHC Memory Card (Class 4 or higher)
Still Image Max Effective Resolution : Approx. 16.2 Megapixels
Still Image Size 16:9 : 16:9mode:12M(4,608 x 2,592) / 2M(1,920 x 1,080)
Still Image Size 4:3 : 4:3mode:16M(4,608 x 3,456) / 10M(3,648 x 2,736) / 5M(2,592 x 1,944) / VGA
Panorama Still Image Size : Sweep Panorama:360(11,520 x 1,080) / HR(10,480x4,096) / Wide(7,152 x 1,080/4,912 x 1,920) / Standard(4,912 x 1,080/3,424 x 1,920)
Video Format : AVCHD Ver2.0/MP4
Video Mode : AVCHD 60i: 24M FX / 17M FH(1,920x1,080/60i) / 9M HQ(1,440x1,080/60i),MP4:12M(1,440x1,080/30fps) / 6M(1,280x720/30fps) /3M VGA(640x480/30fps)
Dual Record : Yes
Audio Format : AC3(Stereo)
Microphone/Speaker : Stereo/Mono
Wind Noise Reduction : Off/on
Drive System

Self-timer : Off / 10sec. / 2sec. / portrait1 / portrait2
Shutter Speeds : iAuto(4" - 1/1600) / Program Auto(1" - 1/1600)
Burst Mode : Approx.10 fps at 16.2MP (for up to 10 shots)
Exposure System

Metering Modes : Multi Pattern / Center Weighted / Spot
Exposure Compensation : Plus / Minus 2.0EV, 1 / 3EV step
Scene Mode(s) : High Sensitivity / Soft snap / Soft Skin / Landscape / Night Portrait / Night Scene / Handheld Twilight / Gourmet / Beach / Snow / Fireworks / Pet mode / Anti-motion blur / Backlight Correction HDR
ISO : Auto / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400*4 / 12800*4
White Balance Mode : Auto / Daylight / Cloudy / Fluorescent 1 (White Fluorescent Lighting) / Fluorescent 2 (Natural White Fluorescent Lighting) / Fluorescent 3 (Day White Fluorescent Lighting) / Incandescent / Flash / One Push, One Push Set
Advanced Features

Sweep Panorama : Intelligent Sweep Panorama, Intelligent Sweep Panorama (360)
Face Detection : 8 faces
Image Stabilization : Optical SteadyShot Image Stabilization with Active Mode
In-Camera Editing : Trimming / Unsharp Masking / Date view
Intelligent Auto : Yes
Shooting Tips : Yes
Tracking Focus : Off / Auto
Blink Detection : Yes
Priority Setting (for Face Detection) : Auto / Off / Child Priority / Adult Priority
Picture Effects : HDR Painting / Richtone Monochrome / Miniature / Toy camera / Pop Color / Partial color / Soft High-key / Watercolor / Illustration
Focus Control

AF Modes : Multi Point AF /Center Weighted AF / Spot AF / Tracking Focus / Face Tracking Focus
AF Illuminator : Auto / Off
Flash

Flash Modes : Auto / Flash On / Slow Synchro / Flash Off / Advanced Flash
Flash Coverage : ISO Auto: Approx.0.2m to 4.2m(7 7/8 inches to 13feet 9 3/8 inches)(W) / Approx.1.5m to 2.2 m(4feet 11 1/8 inches to 7feet 2 5/8 inches)(T), ISO3200: up to Approx.5.9m(19feet 4 3/8 inches)(W) / Approx.3.1m(10feet 2 1/8 inches)(T)
Convenience Features

Red-Eye Reduction : Auto / On / Off
Erase/Protect : Erase: Single / Select / Date / Folder / AVCHD Protect: Single / Select / Date / Folder / AVCHD
Power Save Mode : Standard / Max / Off
Interface

Memory Card Slot : MS Duo and SD/SDHC/SDXC compatible
HD Output : Micro HDMI
USB Port(s) : Hi-Speed USB(USB2.0)
Power

Battery Type : LITHIUM ION NP-BN 3.6V
Battery Capacity : typical:2.3Wh(630mAh), minimum:2.2Wh(600mAh)
Power Consumption (in Operation) : Approx.1.0W
Power Requirements : AC 100V to 240V, 50/60 Hz, 70mA
Weights and Measurements

Dimensions (Approx.) : W x H x D: 3 3/4" x 2 1/8" x 29/32" (92.3mm x 52.5mm x 22.5mm)
Weight (Approx.) : 4.4oz. (124g)
Weight(Approx) (Main unit only) : 3.8oz. (108g)

Source: buydig

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(added a month ago!) / 47 views

Samsung NX300 review

Posted in : Samsung

(added a month ago!)

There's a new top dog in Samsung's camera line-up. The NX300 boasts a new sensor, articulated screen and faster responses, yet at the same time there's a very comforting familiarity about it -- in more ways than one. It's on sale now for £599, including body, lens and a bundled copy of Adobe Photoshop Lightroom 4.

Samsung NX300 review

Specs and build quality
It looks and feels like a more stylish version of its predecessor, the NX210. They're largely the same size, but the NX300 has a new leather-like finish and a retro silver top plate, which helps it retain the NX210's sturdy, reassuring build quality.

It feels great in your hand, is well-balanced, and ships with a choice of kit lenses -- the familiar 18-55mm zoom or the slightly shorter 20-50mm unit. The former of those, which I used in my tests, delivers a 3x range; the latter, which costs around £30 less when bought as part of a kit, just 2.5x.

They are both i-Function lenses, which sport a multi-function button on the side of the barrel. Pressing this cycles through various shooting options, each tailored to your current mode -- aperture priority, shutter priority and so on. Each of the modes is arranged on a conventional dial on the top of the chassis, and the usual suspects are joined by a new Lens Priority mode.

In effect, it works in a very similar way to aperture priority, but cuts the jargon to present a simple defocus/sharpen scale on the screen, which is controlled by twisting the focus ring on the front of the lens or by dragging the slider on the screen. This makes it easy for novice users to shorten the depth of field and capture more professional-looking shots.

The arrival of the NX300 also sees the addition of a new 45mm prime lens to the range, which currently only works with this model and provides both 3D and conventional 2D stills and video.

Around the back you'll find a touch-sensitive screen -- the first to appear on an NX camera and the first in the range to be articulated -- allowing you to tilt it up and down to shoot from more exciting angles. The strut that supports it has been specially strengthened so it should be able to take the odd knock or two, but it's still easy to tilt it to the exact position you want.

The screen is an AMOLED panel, so it's bright and clear in sunlight, and the on-screen menu is well thought out, responsive and easy to use. In part this is down to the fact that the screen is larger than on most rival cameras, stretching to 3.3 inches, corner to corner. If you don't get on with touch control, you can of course ignore it and resort to the regular five-way hardware buttons to the side.

Wireless networking
It's got Wi-Fi built in, which is something we're seeing in ever more cameras. Here, though, the Wi-Fi subsystem has more features than most, with regular emailing, remote shooting and social sharing feature. These are supplemented by automatic checks for firmware updates, sharing to Android and iOS phones and tablets, and cloud backup, courtesy of SkyDrive. It's not compatible with Dropbox like its sibling, the Android-based Galaxy Camera.

It can connect to an existing wireless network, and pops up the regular browser-based login screen you'll have encountered on public networks, which you can tap in your login credentials.

Speed demon
Samsung claims that you can switch on the NX300 and shoot a perfectly focused shot within 0.08 seconds thanks to its re-engineered hybrid auto-focus system. This combines frame-wide contrast auto-focus with a large phase detection auto-focus area to provide more accurate, faster focusing.

It's impossible to measure 0.08 seconds in real world use, but certainly in my tests it was fast and responsive, and when combined with a maximum shutter speed of 1/6,000 second it was easy to freeze fast-moving subjects. Continuous shooting now touches 8.6fps.

At the opposite end of the scale, the longest possible exposure is 30 seconds in regular shooting modes, but for more ambitious and special purpose shots you can hold open the shutter for up to four minutes in bulb mode.

Sensitivity runs from ISO 100 to ISO 25,600, with compensation of three stops in either direction in 1/3EV steps. Low-light performance is good, and you can safely take it to around ISO 800 before you start to notice any grain in your images, and ISO 3,200 before the grain becomes an issue. Even at this level though, the writing on the spirit bottle in the standard still-life test (see below), remained legible.

Stills performance
The NX300 lives up to the promise of those impressive specs, and turned in a decent performance in my tests. I took half of my test shots under overcast conditions and the rest under blue skies, and shot raw files in tandem with in-camera JPEGs. My analysis was performed with reference to both file types. The in-camera JPEGs remained crisp and clean with no hint of heavy handed compression.

Even under overcast skies, it did a good job of retaining a degree of texture and colour variation in the clouds, coping even when the focal point was darker subject matter. Colours remained realistic, and there was no evidence of chromatic aberration where sharp contrasts passed in front of the brighter background. The same was true under brighter skies, with the NX300 metering correctly for the brighter conditions and reproducing accurate colours even when shooting metallic and highly reflective subjects.

The level of detail captured in the most complex shots was truly impressive and should be sufficient to convince even the most ardent dSLR devotee that mirrorless cameras can now hold their own against high-end snappers.

Individual blades of the marsh grass in the image below are easy to make out as far as the mid-point of the frame as they recede from the lens, and even beyond that the NX300 has recorded a meaningful, useful texture, rather than simply a mess of colours, as I've seen with some rivals.

It's much the same story when you turn your attention to less tonally varied subjects, with the riverbed in the image below pitted with the worm holes, and bird tracks very clearly marked out in the mud.

The Lens Priority system really comes into its own when working with subjects closer at hand, and it wasn't long before I was routinely choosing this over traditional aperture priority as a simpler route to shortening the depth of field in my pictures. I shot the grave marker below in this mode, and it's very effectively pulled it forward from the surrounding subject matter.

The bundled kit lens isn't a macro unit, and you can't get closer to your subjects than 28cm. However, close-up performance is still good, and even in auto mode it's easy to isolate your subject with a rapid fall off in the level of focus surrounding the crucial point. Zooming in to the focused area reveals a very impressive level of detail retention, as you can see from the 100 per cent crop below.

Low-light performance is impressive, as mentioned above, with the NX300 recording a large amount of data that's not immediately obvious. In this shot of stained glass windows, the windows themselves are perfectly exposed, but the surrounding chapel is dark. Lifting the shadows and blacks in post production (easily achieved using the bundled copy of Lightroom) however, reveals the surrounding pews and walls, showing how well the NX300 performs as the darker end of the scale.

The only real complaint I had was some barrel distortion evident on the raw files, but corrected by the internal JPEG processing. This also highlighted some minor chromatic aberration towards the edges and corners where contrasts were fringed by a third colour. Fortunately, this was only obvious in more technical indoor shots when shooting a target grid, and not when using the camera to shoot real-world examples.

Still life
The still-life test really demonstrated the quality of the NX300's sensor and lens combo. Under studio lighting, details were sharp right across the frame. It kept its sensitivity down to ISO 100, and the result was a grain-free, smooth image, in which wood and complex textures were particularly detailed, and contrasts remained sharp.

Relying on the available ambient light caused it to increase its sensitivity to ISO 800 and doubled the length of the exposure, but didn't noticeably increase the amount of grain in the image. As such, details and contrasts remained sharp but, in the particular test scene involved, resulted in slightly colder colours.

Source: reviews.cnet

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Nikon releases new firmware for the D600 and D800

Posted in : Nikon

(added a month ago!)

Nikon has released firmware updates for two of its full-frame DSLRs - the Nikon D600 and Nikon D800. The D600's new C:1.01 firmware includes modifications to support the AF-S NIKKOR 800mm f/5.6E FL ED VR lens and the frame output size has changed from 95% to 100% when movie live view display is changed to 'Information off' and an HDMI-compatible device is connected. The new B:1.02 firmware update for the Nikon D800 sees a number of modifications, including more vivid images being displayed by the camera's monitor. A full list of the modifications can be found below.

Nikon releases new firmware for the D600 and D800

The new Nikon D600 C:1.01 firmware update contains:
- Support for the AF-S NIKKOR 800mm f/5.6E FL ED VR has been added.

- Subject tracking performance in AF-C (continuous-servo autofocus) autofocus mode with framing using the viewfinder has been improved.  

- Frame output size has been changed from 95% to 100% when movie live view display is changed to "Information off" and an HDMI-compatible device is connected.

- An issue that caused the right edges of images to be somewhat white when captured at an Image area setting of DX (24x16) 1.5x with Active D-Lighting set to Off has been resolved.    

- When the camera's shutter-release button was pressed repeatedly for uninterrupted shooting with the "Record to:" option in Camera Control Pro 2's Storage tab set to "PC+CARD", the camera would stop responding with displaying "Err" in its control panel. This issue has been resolved.

- In some very rare cases, colors would change with shooting when white balance was set to a specific color temperature, as with Preset manual or Choose color temp. This issue has been resolved.
The new Nikon D800 A:1.01 / B:1.02 firmware update contains:   

- Support for the AF-S NIKKOR 800mm f/5.6E FL ED VR has been added.   

- Subject tracking performance in AF-C (continuous-servo autofocus) autofocus mode with framing using the viewfinder has been improved.

- Gamut for Adobe RGB images displayed in the camera's monitor has been changed. This enables more vivid display of images.  

- With live view photography in [M] (Manual) exposure mode, exposure preview was always on. This issue has been resolved.

- In some very rare cases when certain memory cards were used, movie recording would stop, even when the time remaining display indicated remaining recording time.This issue has been resolved.   
- With shooting at an image quality setting of TIFF (RGB) and an image size setting of Small, the right edge of images contained a purple line.This issue has been resolved.

- In some rare cases, images recorded in JPEG format could not be opened by some software applications.This issue has been resolved.    

- In some very rare cases, colors would change with shooting when white balance was set to a specific color temperature, as with Preset manual or Choose color temp.This issue has been resolved.

Source: whatdigitalcamera

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Samsung WB250F Review: Kid Friendly Camera

Posted in : Reviews, Samsung

(added a month ago!)

Samsung has spent the last few years revitalizing their imaging product line. Most recently their additions include the NX300, EX2F, NX20, and the subject of this review, the WB250F. With these new cameras, Samsung is further cementing their reputation as a leader in the smart camera genre. Enabling users to quickly transfer images from the camera to their smart phone or tablet, this technology makes sharing your images easier than ever before.

Samsung WB250F Review: Kid Friendly Camera

Build and Design
The Samsung WB250 is a lightweight point and shoot camera that is easily pocketable. The body of the camera is made of a plastic material that allows for the camera's all-day-go-anywhere mentality. It weighs 6.8oz and measures 2.4 inches(h)x4.2 inches(w)x1.3 inches(d). The camera's design is very similar to several other Samsung cameras from the rounded hand grip to the placement of the lens. The WB250F features a 14.2-megapixel 1/2.33-inch BSI (backside-illuminated) CMOS sensor with an 18x zoom lens. The f/3.2-5.8 lens is the equivalent of 24-432mm in 35mm format. The WB250F gives users the option to use Intelli-zoom, further expanding their focal range. The camera also features optical image stabilization.

The Samsung WB250F has undergone a few alterations from the original design of its predecessor, the WB150F. Most markedly is the new touchscreen and the improved placement of the pop-up flash. The camera offers 9.5MB of internal memory. The WB250F also accepts SD, SCHC and SDXC cards. Images are recorded in JPG format. Movies are recorded as MP4 files.

Based on the price point of $250 and its less than premium materials, the WB250F looks to be designed for the casual shooter. That being said, the casual shooter will most likely enjoy its fun features and ease of use.

Ergonomics and Controls
The Samsung WB250F has simplistic, yet practical ergonomics. Similar to some of the more expensive Samsung cameras, the WB250F has a hand grip that is easy to hold and will allow for plenty of shooting without tiring one's hand. The front of the camera is void of any physical buttons --only a lens resides there. The top of the camera features a direct link button that accesses the camera's Wi-Fi with one touch.  The power button sits just left of center. To the right of the power switch is a built-in flash which is triggered by an oblong button on the right of the flash. A -/+ toggle switch controls the zoom function. On the far right of the top of the camera sits the mode dial. Included on this dial is a variety of modes: auto, Wi-Fi, several special functions, P, and an all-in-one A-S-M mode. The back of the camera houses the majority of physical buttons. A dedicated movie button rests on the top right side of the thumb rest, giving you one touch movie recording. A four way dial with an "OK" button in the middle houses the macro function, flash function, display mode, and continuous shooting mode. Around this dial you can find the menu, return, playback and delete buttons. The buttons are logical and require little to no photographic knowledge.

Menus and Modes
This camera has a similar feature set as most other point and shoot cameras.  The menu is simple to navigate. Those with little photographic experience can easily use the auto mode or, if desired, the user can learn about the camera's function through a tutorial based menu. The camera walks you through each setting with a description of the function. You can choose to display this tutorial or close the feature by pushing the trash/delete button. Both the menus and modes are user friendly. Samsung has repeatedly done a good job of creating a simple, enjoyable camera experience for the user -- especially those with little to no knowledge of cameras.

Display/Viewfinder
The WB250F offers users a 3-inch TFT LCD touchscreen made of 460,000 dots. It is clear and easy to see. However, use of the camera in bright conditions will render the screen somewhat difficult to see. The user can choose to change camera settings through the touchscreen or through the physical buttons. The display can be set to show the user quite a bit of data about the settings or to show just the image only. The display is a fixed screen and cannot be tilted or swiveled. A viewfinder is not present on this camera, nor can one be added.

The LCD screen displays images that are clear and generally represent the accurate image color. The movement on the screen while in movie and still image mode is fluid and smooth.

Source: digitalcamerareview

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Sony NEX-6 Review: Fan Favorite

Posted in : Reviews, Sony

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It's been more than three years since Sony entered the mirrorless camera race with its NEX-3 and NEX-5. Since then, Sony has expanded its NEX-series with the NEX-7 occupying the top position, with the 16 megapixel NEX-6 next in line.

Sony NEX-6 Review: Fan Favorite

With each evolution, Sony's NEX-series continues to improve with broader features and, more importantly, better performance and the Sony NEX-6 is no exception with its hybrid AF system, a real mode dial, standardized hotshoe, and Wi-Fi. And, unlike many of its competitors, this small camera features an electronic viewfinder and a built-in flash. It's one of my favorites and when you read the review, you'll find out why.

Build and Design
Similar in design to its siblings, the NEX-6 is just a tad larger, especially when compared to the new NEX-5R and last year's NEX-F3 thanks to its grip and built-in electronic viewfinder. Styled in basic black, the NEX-6 isn't quite pocketable, although with smaller lenses like the 16mm prime, it might fit into a large jacket pocket. But the camera is compact and lightweight, measuring 4 3/4 x 2 3/4 x 1 1/16 inches and weighing 12.2 ounces with battery and media installed.

Well-constructed, the NEX-6 features a nice-sized, textured grip. There's enough room between the grip and the lens barrel for those with smaller hands but larger-handed photographers may find their fingers a little cramped when a longer zoom is attached.

Sony continues to expand its e-mount lens selections and offers the NEX-6 as a body-only purchased or in a kit with the compact16-50mm power zoom lens. Instead of using a zoom lever or a manual zoom, the 16-50mm lens is designed to zoom via a slider on the side of the lens. Not only is this method of zooming convenient but it's quiet and smooth -- two attributes that are especially important when capturing video.  If you prefer a more conventional method of zooming, just work the zoom via the lens ring. If you switch to manual focus, the slider is used for zooming while the lens ring is used for focus.

Also new is a 10-18mm lens, and while the 16-50mm may be my favorite lens to date, the 10-18mm is high on my list as well. Keep in mind that with its APS-C size sensor, the NEX-6 has a 1.5x crop factor, increasing the 35mm-equivalent focal range by 1.5x. If you have A-mount lenses, an adapter is available.

With the NEX-6, Sony has finally switched to a standard hotshoe so accessory flashes aren't limited to Sony models. Actually, Sony calls this a Multi-Interface Shoe because it can accommodate Handycam accessories as well as an external microphone.

A single media slot accommodates an SD/SDHC/SDXC card or memory Stick PRO Duo/PRO-HG DUO; we recommend a UHS-1 card, such as those from SanDisk, for the best performance. You'll need an HDMI cable to connect the camera to an HDTV for viewing still images and video footage.

Ergonomics and Controls
Although not as populated with dials and buttons as a DSLR, the NEX-6 offers a sufficient number of external and dedicated controls. Overall, the layout is logical and easy to navigate.

The top plate of the camera is pretty sparse, leaving room for the hotshoe/accessory port, pop-up flash, mode dial (with a subset "thumbwheel/control dial"), shutter/power switch and a function button that calls up a quick menu with basic options or, in conjunction with a the control panel display, allows user to adjust a full complement of settings.

On the back panel, you'll find the LCD, an array of buttons and a 4-way controller for ISO, Exposure Compensation, Drive Mode and Display adjustments. A tiny "red" movie button sits just to the right of the rear thumb rest, which is a little awkward but helps prevent accidental activation. While there are two unmarked buttons and no marking on the center button of the 4-way controller, the LCD indicates what each is used for while you're shooting (e.g., Menu and WiFi). It's actually a pretty convenient method once you get accustomed to it. The control panel makes it easy to change settings and Sony's built-in help is beneficial for all newcomers to the NEX series.

One of the NEX-6's new features -- one that is even more welcome than a standard hotshoe interface -- is a mode dial. Other models, like the NEX-5R, for example, are menu-dependent for just about everything, including changing the shooting mode via a virtual, on-screen "dial."  Mode dial options includes two automatic modes (Intelligent Auto and Superior Auto), as well as the standard Program, Aperture-priority, Shutter speed-priority and Manual exposure modes. Additionally, this is where you can access Sony's Sweep Panorama option, although the NEX-6 doesn't offer the NEX-7's 3D panorama mode. A Scene mode setting includes a handful of shooting choices ranging from Portrait, Landscape and Sports to Handheld Twilight and Anti Motion Blur.

Underneath the mode dial is a control wheel that, in some ways, functions the same as the dial surrounding the 4-way controller. You can use either of these dials to scroll through menus and functions and to adjust shutter speed in Manual exposure mode. Otherwise, the top control wheel controls aperture and shutter settings in semi-manual mode.

However, I'm still not fond of Sony's menu system. It's broken out into categories that don't always make sense to this reviewer and even after working with a number of NEX cameras, I still can't remember where some of the features are.

Wi-Fi
Like the NEX-5R, the NEX-6 is equipped with built-in Wi-Fi -- a feature that is more and more relevant as cameras need to compete with smartphones. While a few manufacturers tried their hand at Wi-Fi enabled compact cameras over the years, better wireless technology and consumers' familiarity with Wi-Fi means we'll probably be seeing this feature become standard in the not to distant future.

Sony's implementation of Wi-Fi is quite good, although it requires the use of proprietary apps from PlayMemories Online. Setting up a WiFi connection is very easy although typing in passwords and registering for PlayMemories on the camera's virtual keyboard using the 4-way controller is tedious (you can also connect the camera to your PC or Mac and use a standard keyboard, which is easier). A separate button turns the Wi-Fi on and off to save battery life when not in use.

Once you're set up, apps are accessed via a new applications icon on the NEX-6 menu screen. Right now, there are 9 apps and a direct upload app. Some are free while others cost $5.00, with Time-Lapse the most expensive at $10.00. In addition to the free Picture Effect+ (with additional creative effects), the $5 Cinematic Photo (cinemagram) and Photo Retouch, to name a few, there's also Smart Remote Control app (free). This allows you to view and trigger a shot from your smartphone (we tested it on an iPhone4s but it's also available for Android devices). With the Smart Remote Control you can adjust EV (exposure compensation +/- 3.0); use a Self-Timer (off, 2 seconds) or trigger it manually from the phone. You can also save the image to your smartphone or simply review it on the screen. The Upload app is currently limited to your PlayMemories account or Facebook but Sony promises that other sharing options will be added. You can also download: Bracket Pro (shutter, aperture, focus, flash bracketing) and Multi Frame NR (to shoot and stack multiple images of the same scene in low light to keep noise to a minimum); both cost $5.

Menus and Modes
I've been complaining about the NEX menu system since I first got my hands on the NEX-5 three years ago. Not much has changed and I still find the way in which Sony assigns functions to one icon or another a little confusing.

The menu's half-dozen icons include: Camera, Image Size, Brightness/Color, Playback, Application (WiFi apps) and Setup. Some of the menu names, like Image Size, are pretty obvious and you'll find what you expect although this is where the choice of panorama direction is hidden. Picture Effects and Creative Styles are housed under Brightness/Color while the Soft Skin Effect is under the Camera menu. While the menu arrangements aren't a dealbreaker, having to jump from one menu to the other searching for a specific feature can be time-consuming and frustrating. On the other hand, others may have a better memory than I do and have no problem finding what they're looking for.

Beyond the WiFi apps, the NEX-6 has a full complement of manual, semi-manual and automatic features that range from exposure modes, dynamic range options, creative styles and special effects. And that's only some of what this camera offers. The camera is quite versatile and offers enough options to satisfy a wide range of photographers.

Display/Viewfinder
It's rare to find a compact system camera of this size with a built-in electronic viewfinder (EVF) and a pop-up flash, but the NEX-6 has both.

Like its more expensive sibling, the NEX-7, the NEX-6 is equipped with a bright, high resolution OLED (Organic Light Emitting Diode) EVF. The supplied rubber eyecup is generally comfortable to use, even while wearing glasses and because it's an EVF, it displays a wide range of information. The camera features a very responsive eye sensor that automatically switches between EVF and LCD, although sometimes it's too responsive. My biggest complaint is that the diopter dial is so tightly crammed next to the eyepiece that it's a little difficult to adjust.

The display is a tiltable, 3-inch high resolution (921,000 dot) LCD. With multiple brightness options, along with a special Sunny Weather mode, the LCD is usable in pretty much all lighting conditions. The LCD tilts up to 90 degrees and down to about 45 degrees.

I'm a huge fan of fully articulated LCDs and while if I had my wish, the NEX-6's screen would have that versatility and the ability to fold it inwards to protect the screen when not in use. But being able to adjust the LCD for overhead and low angle shooting is always a bonus.

Several display options are available, including a virtual level for keeping horizons straight. Perhaps the most useful, especially if you prefer using the EVF for shooting and want to avoid the internal menu system, is the full control panel. As mentioned earlier, press the Function button when the control panel is displayed and you can quickly and easily adjust pretty much any setting the camera offers.

Source: digitalcamerareview

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Canon Ixus 255 HS review

Posted in : Canon, Reviews

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The Ixus 255 HS is the third ultra-compact camera we've seen in recent weeks that comes with a 10x zoom and Wi-Fi. It's an appealing combination of features for casual snapping – the extended zoom gives a clear benefit over smartphone cameras, while Wi-Fi means you can transfer directly to a smartphone for instant online sharing.

Canon Ixus 255 HS review

In most other respects, the 255 HS resembles the Canon Ixus 230 HS, which we loved for its exceptional image quality and stylish design. The new model ditches its predecessor's awkward side-mounted Menu button and mode switch for a more conventional layout of controls beside its bright 3in screen.

Once again, the mode switch only has two positions. This time, one accesses a Movie Digest mode that captures a couple of seconds of video just before each photo is taken, and joins these clips together into a single video file. In practice, our Movie Digest videos comprised lots of fumbling about with the camera mostly pointed at the floor.

We'd much rather have a switch for the Auto and Program modes – the former is fully automatic, while the latter unlocks various controls such as exposure compensation, white balance, ISO speed and continuous mode. The various modes, scene presets and photographic controls are accessed via the Func Set button, and Canon's tried-and-tested menu system is reasonably quick to navigate.

Performance is a little faster than on the Ixus 230 HS, at 1.8 seconds to switch on and shoot, and the same time between shots. That's slower than its main rivals, the Panasonic Lumix DMC-SZ9 and Sony Cyber-Shot DSC-WX200, but it's respectable enough. Continuous shooting is relatively slow at 2fps, but we appreciate how it keeps going until the card is full. There's also a scene preset that captured 3-megapixel photos at 5.3fps.

Wi-Fi transfers are simple and elegant, with apps for Android and iOS giving responsive browsing and transfers at a choice of resolutions up to the full 12 megapixels. The app can also keep a GPS log, and use the data to geotag photos in the camera retrospectively. It's not as neat as in-camera GPS but it's nice to have the option when you find yourself in an unusual location. The camera can also join a home network for drag-and-drop access to files from a PC. There's no remote shooting mode, though. Unlike most Wi-Fi cameras we've seen recently (including the Panasonic SZ9 and Sony WX200), you can't use a phone or tablet as a remote control when taking photos.

Source: expertreviews

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